Filed under: Manga Otaku International Cool Japan Murakami Morikawa

Japanese Vogue goes otaku... Sort of

15.06.2009 by Patrick W. Galbraith


We all knew that models wanted to be dolls, but "Vogue" magazine in Japan has made it official in this month's issue. Under the banner "Manga x Mode," the editors of the magazine gush about how women the world over want to have bodies like anime characters and "become figures."

This revelation comes courtesy of Anna Dello Russo, the “fashion director at large.” At a 2008 meeting in Tokyo to decide the next year's fashion themes, she apparently screamed, "Manga!" To her, this means a tight waist, accentuated chest and hips, doll clothing such as puffy skirts, ribbons and frills, and super high heels to make long legs.

The intro to the issue says, "The designers and creators who come to Japan are seriously crazy about the 'otaku culture' that manga represents. Akihabara is a fantasy destination on par with Kyoto."

European fashion is all about being an adult, and it's a drag.

"The value of being an adult is based on following social rules. Perhaps 'kawaii' and 'manga' releases the joy of going against the rules. Things that aren't real are often called manga-like. Manga has the power to overcome reality and we borrow from that."

Kawaii and sexy must be taken to an "unrealistic level." Manga is mode, and the keyword for foreigner fashionistas outside Japan.

As you flip through the pages, titles such as "Le Manga, C'est Magnifique" are accompanied by tags like "Let's become pretty dress up dolls!"

Murakami Takashi, introduced as the "prophet of otaku culture," replies to this, "What is manga about this?" He apparently argued that otaku respond to certain attributes such as maids and uniforms, which is different from fashion. The "Vogue" editors shot back that mode has its own share of fantasy themes that challenge reality. For example, little princess magical princess, female bondage warrior and "robot like mobile suit shojo" (I hadn't heard of that one...). If it is 100 percent attributes, then it becomes cosplay, but fashion plays with the attributes (OK, not getting the difference...). As the editors see it, fashion is about becoming "like something" that is different from us (sounds like cosplay to me...).

They admit that otaku will disagree, but say to hell with them and go for the Manga x Mode. "Japan is the only 'Vogue' in the world that can do this."

In the hideous fashion show that ensues, "The Rose of Versailles" inspires princess style, "Yatterman" S&M, "Urusei Yatsura" alien and "Pretty Cure" schoolgirl chic.



In the even worse “cosplay” section, Dello Russo dresses up as a poor Miss Ko2. Others do Minnie Mouse, Captain Harlock and a supremely uncute cat "inspired" by the fetishism of Chi from "Chobits."

























CLAMP, Hagio Moto, Monkey Punch and others draw famous designers and fashion folk as manga. Ikeda Riyoko of "The Rose of Versailles" fame draws a mini-manga of Dello Russo.



The highlight is a debate between Murakami, Morikawa Kaichiro, yaoi researcher Kaneda Junko and former Gainax PR representative Kawahara Kazuko. Murakami thinks manga mode is ridiculous. Kawahara says manga is escapism. Morikawa tries to keep the peace and says Lolita is a style so no one asks why the faces look so young. Kaneda and Kawahara suggest that the manga image is nice breasts, zettai ryouiki, ahoge and twin tails.




Basically, it's a train wreck. But the ever wise and diplomatic Morikawa sums up nicely. "The fashion world doesn't necessarily need to understand otaku properly. Rather, it is because of misunderstanding or discommunication that artists birth creative works."

As a follow up, Murakami will apparently be participating in the "Vogue" 10th anniversary shop in Aoyama. The first floor has Miss Ko2 shirts, and the second floor is a gallery curetted by Murakami.

5 CommentsComment Page 1 of 1

jetalone wrote on 28.7.2010:

more questions...-ok. i guess i get that otaku hate him because he is not otaku but has murakami ever claimed to be otaku? murakami said something along the lines of not being otaku because "real otaku dont produce anything." he has referred to himself as a "failed otaku." but thats as close to labeling himself otaku as hes gone right? is it that otaku just dont like to be studied or explored? and what are the deep inner layers? like, how many laserdiscs he owns?

Patrick wrote on 26.7.2010:

@jetalone Actually, 0ne is pointing out a pretty long-standing and well-known criticism. For example, Asano Masahiko, a figure creator who played a part in Second Mission Project Ko2, said that Murakami doesn't have "the otaku gene." Some people say that Murakami is just copying the surface of otaku culture, and not getting down to the deep inner layers. Of course, Murakami's position outside the culture is precisely why he is able to see it in ways that otaku don't, and that is valid, too.

jetalone wrote on 26.7.2010:

why is murakami hated by otaku? when did this hatred begin?

Patrick wrote on 16.6.2009:

No doubt. He even said he was pretty much done with the otaku and/or bishojo theme in his work (https://otaku2.com/articleView.php?item=343). And here he is a "prophet" of otaku... What's interesting is that he totally slams this Manga x Mode project, and is still their media darling.

0ne wrote on 16.6.2009:

Many Japanese otakus consider Murakami a hack with no street creds

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